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Organised Sound is an international, peer-reviewed journal dedicated to exploring the rapid development of the use of technology in music and the issues it raises. The core of the magazine is to present and discuss the application of technology to music creation, performance and theory, covering a wide range of fields from traditional music to modern multimedia art.

The journal focuses specifically on how technology affects various types of music creation and performance, including but not limited to multimedia music, performance art, sound sculpture, and electroacoustic composition. Interdisciplinary research and discussion is encouraged in fields as diverse as musicology, computer science, electrical engineering, acoustics, and psychology. This interdisciplinary approach not only promotes a deeper understanding of technological innovations in music, but also provides new perspectives and approaches to music creation and performance.

《Organised Sound》雜志是一本國(guó)際性的同行評(píng)議期刊，致力于探索音樂(lè)中技術(shù)應(yīng)用的快速發(fā)展及其所帶來(lái)的問(wèn)題。這本雜志的核心在于展示和討論技術(shù)在音樂(lè)創(chuàng)作、表演和理論中的應(yīng)用，涵蓋了從傳統(tǒng)音樂(lè)到現(xiàn)代多媒體藝術(shù)的廣泛領(lǐng)域。

雜志特別關(guān)注技術(shù)如何影響各種類型的音樂(lè)創(chuàng)作和表現(xiàn)，包括但不限于多媒體音樂(lè)、表演藝術(shù)、聲音雕塑和電聲作曲。鼓勵(lì)跨學(xué)科的研究和討論，涉及音樂(lè)學(xué)、計(jì)算機(jī)科學(xué)、電子工程、聲學(xué)和心理學(xué)等多個(gè)領(lǐng)域。這種跨學(xué)科的方法不僅促進(jìn)了對(duì)音樂(lè)技術(shù)創(chuàng)新的深入理解，也為音樂(lè)創(chuàng)作和表演提供了新的視角和方法。

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